MEDIA
- Fatima Measham
- 20 February 2015
13 Comments
It is hard to escape the impression that even in 2015 the only black characters that the American film industry can reward are maids, slaves or dysfunctional urban archetypes, in stories where there is an identifiable white saviour. Any triumphs are of the spirit, of personal fortitude, nothing that compels social responsibility, invokes political will or even a sense of historical reckoning.
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